eastmancolor.info valuation and analysis

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Title | THE EASTMANCOLOR REVOLUTION AND BRITISH CINEMA,
Description An Arts and Humanities Research Council-funded project based at the universities of Bristol and East Anglia This project (research undertaken in 2016-19) investigated the impact of Eastmancolor, a film stock introduced by Kodak in the 1950s, on
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WebSite eastmancolor faviconeastmancolor.info
Host IP 192.0.78.25
Location United States
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eastmancolor.info Valuation
US$1,124
Last updated: 2023-05-20 08:17:28

eastmancolor.info has Semrush global rank of 0. eastmancolor.info has an estimated worth of US$ 1,124, based on its estimated Ads revenue. eastmancolor.info receives approximately 129 unique visitors each day. Its web server is located in United States, with IP address 192.0.78.25. According to SiteAdvisor, eastmancolor.info is safe to visit.

Traffic & Worth Estimates
Purchase/Sale Value US$1,124
Daily Ads Revenue US$1
Monthly Ads Revenue US$31
Yearly Ads Revenue US$373
Daily Unique Visitors 8
Note: All traffic and earnings values are estimates.
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Host Type TTL Data
eastmancolor.info. A 299 IP: 192.0.78.25
eastmancolor.info. A 299 IP: 192.0.78.24
eastmancolor.info. NS 86400 NS Record: ns2.wordpress.com.
eastmancolor.info. NS 86400 NS Record: ns3.wordpress.com.
eastmancolor.info. NS 86400 NS Record: ns1.wordpress.com.
HtmlToTextCheckTime:2023-05-20 08:17:28
The Project Blog Media OUR TEAM PARTNERS Conference Contact THE EASTMANCOLOR REVOLUTION AND BRITISH CINEMA, 1955-85 The Project An Arts and Humanities Research Council-funded project based at the universities of Bristol and East Anglia This project (research undertaken in 2016-19) investigated the impact of Eastmancolor, a film stock introduced by Kodak in the 1950s, on British cinema. As a relatively cheap, ‘monopack’ stock that could be used in any camera, Eastmancolor revolutionised the ways in which colour films were made. Over the next thirty years colour filmmaking came to dominate sound cinema for the first time. The project’s focus was on how British cinema, its filmmakers and other professionals adapted to one of the most important technical innovations in film history. It explored British cinema’s response, at first confined to a few genres, before fully embracing the economic and aesthetic advantages of colour filmmaking. It identified key genres and films, personnel who
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